ANALYSIS FOR COLLECTORS

How to not sound like a pompous p**** when talking about the artists in your collection.

When an artwork is sold what’s the revenue split between the gallery and the artist, and is it fair?

With new technology opening up innovative ways of viewing and collecting art, what does it mean to attend a commercial show in the 21st century?

The world’s mega galleries unashamedly poach artists from smaller galleries. It doesn’t seem fair to the galleries that have done the hard yards in discovering the artist and supporting their early, often lossmaking exhibitions. Or is that just the game we’re playing?

Might we be seeing the beginning of the end of the white cube?

In the midst of some significant commercial gallery milestones this year, we ask their directors: What gives a gallery staying power?

Fractionalism is reported to be taking the art market by storm, but do you really want piece of that pie?

Unpacking the romantic idea that people born into wealth can’t ever become real artists.

Is the widely held view that art should never be produced with the market in mind a luxury of the privileged?

So, finally you've earned the status of established collector and you're invited to an artist's studio. But the studio visit can be fraught.

In the second of this four-part series, we discuss the question: what happens to an art collection when a couple splits?

Ready to take your collector journey to the next level? Introducing expanded collecting.

The idea of art as investment is not new, but is it time for the artworld to reckon with its continuing illusions of virtue?

In this special series where we aim to speak truth to power, we ask: How much responsibility does an auction house take for the provenance of an artwork?