Money Sullies Art: Good Value

When old rules founded on considerations of resale value and a return on investments get involved in decisions about buying contemporary art, the collector can get needlessly thrown off balance.

Michael Cook: Keeping up with the Joneses

Michael Cook’s latest photographic series mines the inherent racism toward Indigenous people, and the impact of materialism on community.

Denise Green: Poetic Logic

The four-decade practice of New York-based abstractionist Denise Green incorporates photographic as well as drawn and painted elements.
Russ Flatt

Russ Flatt: In-Between Spaces

There’s an unflinching honesty in the photography of Russ Flatt. Tender yet dangerous, this artist's complicated fictions are wide open to different readings.

Jacqui Stockdale: From Where I Stood

Jacqui Stockdale's latest series draws on the enduring legend of the notorious bushranger Ned Kelly.

David Griggs: Apocalypse New

On a three-month residency in the Philippines, David Griggs was blown away by Manila’s radical art scene. These days, he calls the city home.
Lucas Grogan

Lucas Grogan: True Blue

Lucas Grogan has enjoyed a prolific few years, further developing his strong visual language.

Collector Profile: Olivier Varenne

Buying and curating most of David Walsh’s collection at Hobart’s Mona, Olivier Varenne’s job is an enviable one for any art lover.

Artereal Gallery: Pushing Boundaries

Luisa Catanzaro brings her experience in finance to the Artereal Gallery business model. Her agile, fluid and collaborative approach to management is echoed in the work of Artereal’s artists.