Money Sullies Art: Good Value
When old rules founded on considerations of resale value and a return on investments get involved in decisions about buying contemporary art, the collector can get needlessly thrown off balance.
Michael Cook: Keeping up with the Joneses
Michael Cook’s latest photographic series mines the inherent racism toward Indigenous people, and the impact of materialism on community.
Denise Green: Poetic Logic
The four-decade practice of New York-based abstractionist Denise Green incorporates photographic as well as drawn and painted elements.
Russ Flatt: In-Between Spaces
There’s an unflinching honesty in the photography of Russ Flatt. Tender yet dangerous, this artist's complicated fictions are wide open to different readings.
Jacqui Stockdale: From Where I Stood
Jacqui Stockdale's latest series draws on the enduring legend of the notorious bushranger Ned Kelly.
David Griggs: Apocalypse New
On a three-month residency in the Philippines, David Griggs was blown away by Manila’s radical art scene. These days, he calls the city home.
Lucas Grogan: True Blue
Lucas Grogan has enjoyed a prolific few years, further developing his strong visual language.
Collector Profile: Olivier Varenne
Buying and curating most of David Walsh’s collection at Hobart’s Mona, Olivier Varenne’s job is an enviable one for any art lover.
Artereal Gallery: Pushing Boundaries
Luisa Catanzaro brings her experience in finance to the Artereal Gallery business model. Her agile, fluid and collaborative approach to management is echoed in the work of Artereal’s artists.