Fair de Force: Sydney Contemporary 2017
Barry Keldoulis isn’t joking when he says he’s most looking forward to the well-earned holiday that will follow the busy and hugely successful Sydney Contemporary Art Fair.
Starkwhite: Forward thinkers
Auckland Gallery Starkwhite has an ambitious, constantly evolving approach to the local and international market.
Q+A with Franchesca Cubillo
Darwin Aboriginal Art Fair Foundation chair Franchesca Cubillo on curation, conversations and community.
Spring 1883 returns to Sydney
Following the tradition set in 1994 by New York’s Gramercy International Art Fair, Sydney's Spring 1883 engages with the hotel environment for the exhibition and acquisition of artwork.
Dale Frank: A New Sorcery
Dale Frank’s work, he justifiably declared, is “out there, all on its own...majestic and strange”.
Sam Cranstoun: Post-Internet Painter
Sam Cranstoun’s practice has focused on historical events, incidents and figures, which he says, “Often involves archival research as well as a process of compulsively collecting images to use as potential drawings or paintings."
Ildiko Kovacs: Choreographer of Colour
Instinct is what drives Ildiko Kovacs, but that level of trust only comes with years of painting and pushing.
Martha McDonald: Reinventing Papunya Painting
Martha Mcdonald depicts Warlukuritji, the birthplace of her father, as a means to remember him and his country.
Brendan Van Hek: Salvaging Light
Brendan Van Hek’s reference to domestic space doesn’t mean he’s abandoned the cityscapes that prompted his earliest work with salvaged neon.
New directions at the DAAF Foundation
The Darwin Aboriginal Art Fair embarks on a journey into a new decade in 2017, celebrating its 11th year.