Fragmented, divided—yet whole brings together recent works by Amanda Bennetts that use time as both material and metric for understanding the body. In Bennetts’ practice, time is not linear but lived. It is stretched, slowed, ruptured, and suspended by the realities of living in a body in flux that refuses normative rhythms and constantly requires new forms of understanding.

Across these works, Bennetts moves between different geographies and states of being. These spaces and the temporalities that govern them rarely align neatly. Instead, they accumulate as fragments of data, sensory impressions and embodied memory.

Fragmented, divided—yet whole considers the body as a site where multiple timelines converge and how these temporal overlaps shape what it means to inhabit a body.

Amanda Bennetts, Detail from The Metallic City Hums Under Skin, 2026. Courtesy of the artist.