Bundit Puangthong’s perceptive search through worldwide cultural imagery is grounded in traditional technique and the buzz of the street. He’s a bit of a flaneur, mixing new meaning from sources like religious iconography, contemporary corporate advertising and the personal, internal dialogue that accompanies studio work. His dreamlike compositions draw on childhood experience stenciling puppet theatre backdrops with his grandfather, as well as years of formal study in Thailand and Australia. Old and new systems of visual persuasion are his “found objects” and all become fair game for inhabiting multiple philosophies of being.
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