Carriageworks has unveiled an online program created around the major new installation Cinopticon by Australian artist Giselle Stanborough.
Cinopticon draws on internet narcissism, corporate surveillance and the manipulation of social media algorithms. It is an immersive performance installation in which audiences see their reflection in unpredictable ways. The most unpredictable being the manner in which we now find ourselves, at home and socially distant, seeing Cinopticon from afar.
Elements of this exhibition are available to view online through the Carriageworks Journal, which includes artist diaries, artist and curator in conversations, playlists, video content and exhibition imagery supplemented with curatorial insights. View Carriageworks Journal here.