Callum Innes, Exposed Painting Paris Blue, 2025, oil on canvas, 200 x 198 cm

Fox Jensen has assembled a genuinely serious roster. Callum Innes is one of the most quietly influential abstract painters working today, his dissolved and reconstituted surfaces the subject of major institutional attention across Europe and the UK for three decades. Ian Davenport has similarly moved well beyond his Young British Artists origins to become a defining figure in process-led painting, his poured lines collected by Tate and held in significant private collections worldwide.

John Armleder — now in his late seventies — is a foundational figure in the intersection of painting, Fluxus and institutional critique, and his presence in any exhibition lends it considerable art-historical weight. Mark Francis, Koen Delaere, Ingo Meller and Paul Czerlitzki round out a lineup that spans generations and nationalities but shares a rigorous commitment to what paint can do when process is given agency.