Leslie Rice’s exhibition, Disco/iNFERNO—part autobiographical, part allegorical, darkly amusing—is above all, a powerful existential narrative about finding hope in the darkest of times. The artist holds little back in a metaphor-rich dance through his own underworld. For Rice, it has become an exercise extracting the past from his present, firmly placing it in another world. For the audience, our experience is entangled in the rich velvet ground of his painting surface and the swirling gravitas of his humour.
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