Ramesh Mario Nithiyendran, Silver mound with drops, 2019. Earthenware, glaze, neon light and wood shavings, 75 x 50 x 50cm. Courtesy: the artist and Sullivan+Strumpf, Sydney.

False Gods extends Ramesh Mario Nithiyendran’s explorations of Western dualisms, anthropomorphism, post-humanism and gender politics. Borrowing its title from Daniel Browning from ABC Radio National and his recent essay on Nithiyendran’s practice, the exhibition considers idolatry and the monument in the context of figurative sculpture, religion and contemporary culture.

Exhibition opens 3—5pm Saturday 26 October 2019

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