The photographs in Tethered centre on the concept of relational gravity: the pull between people, places, and materials. They carry grief and love, and hold ideas of place and loss.
Tethered is made through analogue processes using expired medium-format film alongside out-of-date FP-100C and 3000B instant film. Fogging, shifts in colour and density, uneven development, chemical marks, and occasional failure are part of the material outcome, carried on the photographic surface with what was in front of the camera.