CURRENT ISSUE

CONTRIBUTORS

 

Mark Amery has worked as an art critic, writer, editor and broadcaster for many years across the arts and media.

Kate Britton’s current curatorial concerns centre around queer theory and practice, and the dialogue between writing, text and contemporary art. She is a Sydney-based writer and curator.

Dr Rex Butler’s research interests include Australian art and art criticism, post-war American art and critical theory. He is an art historian and professor at Monash University in Melbourne.

Tracey Clement recently completed a PhD at Sydney College of the Arts. A former Sydney Morning Herald art critic, she writes for several Australian and international magazines. Tracey is currently the Online Editor for Art Guide.

Claire G. Coleman is a Noongar woman who writes fiction, essays and poetry while (mostly) travelling around the continent now called Australia in a ragged caravan towed by an ancient troopy.

Edward Colless teaches Critical and Theoretical Studies at the VCA, University of Melbourne, and is editor of Art+Australia and A+a Publishing.

Dr Ashley Crawford is the author of a number of books on Australian art, including Transformations: The Work of Sonia Payes and Spray: The Work of Howard Arkley.

Nick De Lorenzo is a Sydney based photographer.

Briony Downes has worked in the arts for more than 20 years as a writer, actor and art theory tutor, among other things.

Micheal Do recently curated Soft Core, a travelling exhibition for Casula Powerhouse Arts Centre and Not Niwe, Not Nieuw, Not Neu for 4A Centre for Contemporary Asian Art in Sydney.

Dr Andrew Frost is an art critic, broadcaster and lecturer.

Sue Gardiner is an arts writer and co-director of the Chartwell Collection in Auckland. She recently launched the Save Our Gallery-pART of Me campaign to call for restoration of funding to the Auckland Art Gallery after it faced budget cuts.

John Hurrell is the editor of EyeContact and a New Zealand-based writer, artist and curator.

Courtney Kidd is a Sydney-based art writer and art consultant with Artbank.

Jacquie Manning is a photographer based in Sydney.

Louise Martin-Chew is a freelance arts writer based in Brisbane.

Emil McAvoy’s practice examines histories and concepts of the cultural roles of artists. Based in Auckland, he works as an artist, lecturer, art writer and gallery and museum professional.

Helen McKenzie conducts international art tours for Art Collector subscribers and readers and works out of Sydney as an art adviser and freelance writer.

Francis McWhannell has contributed to a variety of arts and culture magazines and websites including Art News New Zealand, HOME and Runway Conversations. He is based in New Zealand and curated Projects as part of this year’s Auckland Art Fair.

Joanna Mendelssohn is an art historian specialising in Australian art.

Carrie Miller is a freelance writer based in Wollongong.

Tai Mitsuji holds a Masters in Art History from the University of Oxford. He has contributed to publications including Art and Australia, Art Monthly Australasia, Art Guide Australia and The Sydney Morning Herald. Based in Sydney, he also works as a curator.

Jane O’Sullivan has written for publications including the Australian Financial Review, Artnet, Art Guide and Ocula. She is a former editor of Art Collector.

Ellinor Pelz recently curated Connexions Silencieuses, a group exhibition oeuvering 26 international artists at Ancienne Eglise Saint Laurent, Provence. She is a Melbourne-based writer and curator.

Sarah Walker is a Melbourne-based photographer.

Sharne Wolff is a freelance arts writer based near Byron Bay.

Chloé Wolifson writes about contemporary art and ideas for publications including Art + Australia, Art Monthly Australasia, ArtAsiaPacific and Frieze.

Bianca Woolhouse is a photographer based in Perth.

Coen Young is a Sydney-based artist.