Caroline Zilinsky, Marlboro Country, 2023. Oil on linen, 122 x 112cm. Courtesy: the artist and Nanda\Hobbs, Sydney.

Caroline Zilinsky is an uncompromising painter. Throughout her career, she has honed every fibre of her being to execute paintings with a detailed aesthetic sensitivity delivering potent messages about society with the force of forty thousand volts. From the underbelly of society to the madness of a world seemingly on the brink of implosion, her precise yet awkward methodology is ambrosial—unique in contemporary Australian painting, instantly recognisable and not easily forgotten.

Zilinsky’s powerful visual commentary is a profound cultural marker of time. We are undoubtedly at a point in history where long-held beliefs and social norms have been obliterated. Truth and fiction are blended in the Mixmaster of the Internet age. Art in moments of social turmoil can be at its most potent; aesthetic beauty comes from compositional cleverness and the relief one senses in the visual clarity of the artist’s vision. Painters Philip Gaston and Otto Dix, the economy of words of Ernest Hemmingway—these were the intellectual truthtellers working in the turbulent cauldron of the last century. It is an intoxicating canon for an audience that seeks a conversation with art that transcends fashion.

Zilinsky’s exhibition, For Whom the Bell Tolls, has become Snow White’s Magic Mirror to society. Unable to lie, the artist tells us the truth of a world that is not the fairest nor the loveliest; as Instagram influencers would have us believe. The artist is sharp and direct in her commentary. Yet, as always with her practice, her compositions have a poignant beauty and hypnotic seductiveness.

Opening Event: Thursday 9 November, 6 – 8pm.

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