LU PINGYUAN 陆平原, Shadow of the Shadow, 2021. Foam, resin, modelling clay and paint, dimensions variable, approximately 306 x 2000 x 300cm. Courtesy: the artist, MadeIn Gallery, Shanghai, and White Rabbit Gallery, Sydney.

Early alchemists yearned for an imperishable physical form, anchoring the Chinese concept of immortality firmly within the material realm. In modern times, the compelling artists in Laozi’s Furnace inherit their legacy by delving into material exploration. Yet instead of transmuting base metals into gold, they wonder: what else is possible? Can a tank be stitched from leather? Can shadows be crafted from clay? Can animals take on human forms? The artist’s studio, like the alchemist’s laboratory, becomes a crucible of experimentation. Pushing, pinching, cutting, and stitching—one shape metamorphoses into another, as if under a sorcerer’s spell.

Matter possesses a potent allure because invisible powers often manifest in material forms. Just as wind bends trees and water shapes stone, each artwork bears the imprint of the many unseen hands at work. Bringing alchemy into the 21st-century, our artists reveal the ways of turning mind into matter, and matter back into mind.

This exhibition features work from 18 artists from the White Rabbit Collection.