Curated by Kait James (Wadawurrung)

In the Wadawurrung language, ‘moombarra’ translates to ‘stick it up your arse’. This seemingly irreverent phrase encapsulates a profound commentary on the complexities of Indigenous identity, and the ongoing struggles against racism and tokenism. Moombarra delves into the depths of Blak humour, confronting issues of cultural appropriation, stereotyping and the pervasive impact of colonialism on Indigenous communities.

The exhibition brings together six Indigenous artists who disrupt colonial narratives and celebrate culture in all its complexity. It challenges misplaced nostalgia, exposing the insidious nature of commodification and over-production in the realm of Indigenous art. Questions of authenticity, ownership and truth-telling permeate as the artists critically engage with manifestations of culture in a post-colonial world, grappling with notions of national identity.

Moombarra is a call to action. It embodies the loss of hope currently felt by many, while simultaneously igniting a spark of resilience and determination. Through cultural reclamation, it carves out space for Indigenous voices to be heard, respected and celebrated on their own terms.

Main image credit:

Installation view of Moombarra, curated by Kait James (Wadawurrung) at Craft Victoria, 29 June
– 3 August.
Photographer: Sarah Forgie.
Image courtesy Craft Victoria.

Featured image credit:

Tammy Gilson (Wadawurrung), Beenyak Murrun (Living Basket) 2024, on display in Moombarra at Craft Victoria, 29 June – 3 August.
Photographer: Sarah Forgie.
Image courtesy Craft Victoria.