Leah Teschendorff’s second solo presentation at Void_Melbourne takes its name from John Cage’s In a Landscape written in 1948. A meditative, hypnotic composition and a source of deep inspiration, the work evokes landscapes both physical and imagined. Space around each piece is important. Calmness, precision and materiality are accentuated as we consider the living cherry and spruce trees the veneers came from, and perhaps the Shinto shrines in the mountains of Japan that inspire the structure, form and colour palette of these small but powerful works.