“blank words, but I use them” Samuel Beck­ett, The Unnamable, 2024, Anna Schwartz Gallery, Naarm/​Melbourne. Pho­to: Chris­t­ian Capurro.

Since the 1970s, Peter Tyndall’s paint­ings, draw­ings and prints have engaged with recur­sive rela­tion­ships between art, lan­guage and mean­ing. He is known for his use of graph­ic line, text and com­ic-style illus­tra­tion. Tyndall’s art reflects and dis­rupts his­tor­i­cal per­spec­tives on art.