Tom Blake’s practice draws on fragmented moments, looped imagery and recurring motifs as potential sites for contemplating the psychological, architectural and technological frameworks that surround us.
With drawing as a starting point, holding leaves (index) sees momentary gestures, cinematic compositions and recurring motifs fragmented, re-composed and repeated across the space. Viewed together, themes of opacity, time, disintegration, touch, reflection and the potential for the chaotic within apparent moments of stillness, emerge across the works.