Star Gossage: Cool Hunter Predictions

Painter Star Gossage re-focus’s her painting practice, capturing the spirit (wairua) of the land and her people.

Words: Sue Gardiner

Looking back almost 20 years since she graduated as an art student, painter Star Gossage, who has been quietly exhibiting since then, could reflect on the gradual way her life as a painter has evolved. In a video interview for Five Maori Painters curated by Ngahiraka Mason at Auckland Art Gallery Toi o Tamaki in early 2014, Gossage contemplated what she would tell young Maori women artists today.

“I would tell them not to doubt yourself – I spent too long doing that.”

Five Maori Painters was the catalyst for renewed interest in Gossage’s work and now, more confident as an artist, things are developing rapidly. In late 2014, she received a prestigious New Generation Award from the New Zealand Arts Foundation. Further accolades include sell-out shows in 2013 and 2014, which resulted in sales to public collections; a new collaborative commission for the Auckland Arts Festival 2015; representation at Niagara Galleries in Melbourne, to debut with inclusion in their Blue Chip show in May 2015; and a solo exhibition with Tim Melville Gallery, Auckland, in late 2015. Gossage will also show at the Sydney Contemporary art fair in September 2015 with Tim Melville alongside works by the Warmun artists he represents. “I’m interested in exploring the trans-Tasman Indigenous resonance between these artists,” he says. “2015 is going to be a significant year for Star.”

Gossage lives on family land at Pakiri, an hour north of Auckland, where she has recently been able to re-focus on her painting practice, capturing the spirit (wairua) of the land and her people. Travels further afield provide more inspiration – with time spent in Cadaqués, Spain and in Minyerri, an Aboriginal community in the Northern Territory.

These influences have meant her work links a Maori and Indigenous sensibility with Western painting traditions – especially the dark emotional work of Spanish artists. “The poet Federico García Lorca first drew me to Spain,” she says.

“A wall of difficult dreams…” is a line of Lorca poetry and Gossage’s work shares the poet’s interest in the rawness of feeling and a sense of deep reflection, something she explores through portraiture. Her paintings capture an other-worldly, intense sensation of time stretching and slipping, with her figures transitioning, morphing, as Mason notes, “between internal and external worlds”.

This article was originally published in Art Collector issue 71, JAN – MAR 2015. 

Image: Star Gossage, Pa Girls, 2013. Oil on board, 80 x 80cm. COURTESY: THE ARTIST AND TIM MELVILLE GALLERY, AUCKLAND


  • This field is for validation purposes and should be left unchanged.


Artist Profile: Abdullah M. I. Syed

Abdullah M. I. Syed unpacks the long and intertwined histories of Western contemporary art and South-Asian arts and craft practices.

Artist Profile: Aiko Robinson

With thick peachy penises and erect pink nipples, the intimate works of Aiko Robinson leave us longing.

Artist Profile: Brie Trenerry

During lockdown, when those close to her began watching SKY news, Brie Trenerry turned to art.

Artist Profile: Monica Rani Rudhar

Through her work, Monica Rani Rudhar feels she is able to touch what is not there, see what is lost and feel what has passed.

Artist Profile: Jan Murray

With equal parts contemplation and humour, Jan Murray gives status to the common puffer jacket.

Artist Profile: Kirtika Kain

Avoiding an aesthetics driven by victimhood, Kirtika Kain’s painterly approach to the identity of her caste, which continues to be dehumanised as untouchables, is an exciting explosion of joy, warmth and opulence, from which anger can still be felt.