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Collector Profile: Lindsay Clement-Meehan
Sydney-based Lindsay Clement-Meehan typifies a new breed of young collector, championing the artists
of her own generation.
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Chalk Horse: Chalking it up
With a new space and a new mission, Sydney ARI turned commercial gallery Chalk Horse is no one-trick pony.
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Kenny Pittock: Word Play
Kenny Pittock approaches his practice with sincerity, enthusiasm and whip fast wit, offering a refreshing perspective on the seemingly mundane everyday.
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Tom Polo: When windows are worlds
Tom Polo has long been fascinated by the enigma of human imagination. Through his highly suggestive painted compositions, he offers a window into vast interior worlds, waiting to be explored.
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Jude Rae: A patient touch
Over four decades, Jude Rae has established a formidable painting practice, earning her a reputation as one of Australia’s most significant living artists.
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Kylie Banyard: The foreseeable future
Kylie Banyard has spent years craving a better world. But her new work departs from these utopian yearnings to look at the future with fresh eyes.
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Artist Profile: Angela Tiatia
Angela Tiatia’s latest work draws on ancient myth to explore self-absorption in the present day.
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James Tylor: The Male Gaze
James Tylor’s recent photographic works place masculinity and male maturity in the centre frame, forcing us to ask what it might mean to “be a man” in Australia today.
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Survey: Which art schools are turning out the best talent?
We surveyed artworld players about their thoughts on art schools.
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Money Sullies Art: One less ear
Is the widely held view that art should never be produced with the market in mind a luxury of the privileged?