Lucinda Bennett - Art Collector Magazine

Lucinda Bennett is a writer and editor based in Tāmaki Makaurau. She holds an MA (First Class) in Art History from The University of Auckland, where she was also part of the curatorial team at Window. In 2017, Lucinda was the CNZ Curatorial Intern in Contemporary Art at Dunedin Public Art Gallery. She has written for various galleries and publications, including Art New Zealand, Art + Australia, Public Art Dialogue, Bowerbank Ninow and by artist commission. Lucinda was previously Visual Arts Editor for The Pantograph Punch and continues to work with the platform as a Staff Writer.

FEATURES

Curator’s Radar: Imogen Taylor

March 19, 2023

A round up of artists who have recently attracted significant curator attention by way of commissions, acquisitions and inclusion in major public exhibitions.

Cool Hunter Predictions: Cora-Allan Lafaiki Twiss

March 7, 2023

We’re keeping an eye on these artists in the year ahead.

Next of Kin

April 2, 2019

An unconventional approach at Auckland Art Fair 2019 is an opportunity for collectors to discover talent already vetted by the inner sanctum of the art world.

Cool Hunter Predictions: Christina Pataialii

March 19, 2019

Christina Pataialii has a singular eye for colour and an unwavering confidence across a range of materials and styles.

What Next?: Salome Tanuvasa

December 20, 2018

Made within a strict set of environmental restraints dictated by her hectic schedule as a fulltime working mother and artist, Tanuvasa’s drawings are frank records of her immediate environment.

André Hemer: The Infinite Sky

October 21, 2018

Andre Hermer asks what it means to make an image in the digital age. His bold, intimate paintings are proof of the era’s material possibilities.

Hopkinson Mossman: Looking Out

October 2, 2018

A mix of originality, ambition and drive has catapulted this relatively young space to the top of the Aotearoa art scene.

Séraphine Pick: Virtual Humanity

July 28, 2018

New Zealand painter Séraphine Pick has been wielding her visceral medium to explore virtual technologies, transforming the fantastic into something tangible.